Great editing is invisible — it's the pacing that holds attention, the cut that lands the emotion, and the grade that sets the mood. Whether you're working on a brand film, a commercial, a documentary, or social content, the edit is where your footage becomes a story.
I offer professional video editing and full post-production services for brands, agencies, and filmmakers. From rough assembly to final master, every project gets the same level of craft — narrative precision, technical polish, and a finished product that's ready for any platform.
Full post-production capabilities, from initial assembly through to final delivery. Every stage of the process handled with precision and creative intent.
Story-driven editing that shapes your footage into a compelling narrative. Whether it's a brand film, documentary, or commercial — pacing, structure, and emotional arc are everything.
Professional colour grading that sets the tone and visual identity of your project. From natural corrections to bold creative looks, delivered in broadcast-quality colour pipelines.
Professional sound design, audio mixing, and dialogue editing that give your video depth and impact. Clean audio, balanced mixes, and sound effects that enhance every scene.
Integrated motion graphics, lower thirds, title cards, and animated elements that enhance your edit without overpowering it. Clean, on-brand graphics that serve the story.
Final delivery optimised for every platform — broadcast, cinema, web, and social media. Correct codecs, frame rates, and aspect ratios for wherever your content needs to live.
Efficient assembly and rough cut services for productions that need a fast turnaround on initial selects. Organised timelines, synced audio, and a solid foundation for the creative edit.
Post-production is where the final product comes together. Here's why brands and production companies trust me to get it right.
Every edit is finished to broadcast and cinema-grade standards. Proper colour management, professional audio, and technical QC on every deliverable.
Technical skill means nothing without creative judgement. Every edit decision serves the story you're trying to tell and the audience you're trying to reach.
Clear timelines, structured review rounds, and delivery when promised. I know how to work within production schedules and hit deadlines without sacrificing quality.
Whether you need me to lead the post-production process or slot into an existing team, I'm used to working with agencies, producers, and directors at every level.
A selection of recent editing and post-production projects for brands, agencies, and production companies.

Editor, VFX/Motion Graphics

Editor, VFX/Motion Graphics

Lead VFX Artist & Compositor, Director, Writer and Producer
I offer a full range of video editing and post-production services including narrative editing, colour grading, sound design, motion graphics integration, multi-format delivery, and assembly/rough cut services. I handle everything from first assembly to final master.
Absolutely — a large part of my work involves editing footage shot by other production teams or in-house camera crews. Just send over your files and a brief, and I'll take it from there. I work with all major camera formats and codecs.
Pricing depends on the length, complexity, and turnaround of the project. A simple social media edit will cost less than a full brand film with colour grading and sound design. I offer transparent day rates and project-based pricing — get in touch for a free quote.
I primarily edit in DaVinci Resolve and Adobe Premiere Pro, with After Effects for motion graphics and Pro Tools for audio post-production. I can also work in other NLEs if your project requires it.
I share review links at each stage of the edit — rough cut, fine cut, and final version. You can leave timestamped feedback, and I work through revisions efficiently. Most projects include 2–3 rounds of revisions, with additional rounds available if needed.
A short social media video can be edited in 1–2 days, while a full brand film or commercial typically takes 1–3 weeks depending on complexity. Rush turnarounds are available — just let me know your deadline and I'll confirm what's possible.
Yes — I offer colour grading as a standalone service for productions that have their own editor but need professional grading. Send over your conformed timeline and I'll deliver broadcast-quality grades back to you.
Whether you need a full post-production service or expert editing on existing footage — let's talk about your project and get it over the line.